电影 沙发上的母亲

沙发上的母亲

Mother Couch‎

影片信息

  • 片名:沙发上的母亲
  • 状态:HD中字
  • 主演:伊万·麦克格雷格,瑞斯·伊凡斯,泰勒·拉塞尔,艾伦·伯斯汀,蕾克·贝尔,Mar'Ques,Woolford,拉腊·弗林·鲍尔,Penelope,Young,Ozzy,Davidson,Shelby,Lee,Parks,Cesar,Ramos,F·默里·亚伯拉罕,Joanne,R.,Chelsely,艾琳弗里奇,Kenna,Blackburn,Asher,Beverly,Dillon,Brady,布伦特·莫雷尔·加斯金斯,Madison,Geiger,米歇尔·玛丽·贾克
  • 导演:尼可·拉斯拉森/
  • 年份:2023
  • 地区:美国
  • 类型:喜剧/
  • 时长:96
  • 上映:未知
  • 语言:英语
  • 更新:2025-06-08 21:00
  • 简介:  Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan  Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.
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剧情简介

  Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan  Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.

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